Mental Landscapes

These works arise from the memory of a lived landscape.

They do not depict a place, but what remains of it — a tension, a distance, a structure that persists after the experience.
Space is reduced to essential relations: a line, a field, a fracture.

Each painting is a reconstruction, not of what was seen, but of how it was felt.

The image becomes a threshold between perception and memory, where forms emerge, shift, and dissolve. What appears is never fixed:
it is held in a state of balance, always on the verge of transformation.

These landscapes are not outside.
They exist within.